Painted Desert, Sequined Sky, Stars that Fill the Night

My fiber work emphasizes traditional basketry techniques of weaving, coiling, twining, knotting, and wrapping to create contemporary works which stretch the boundaries of that which the materials will allow. Although traditional basketry usually serves a strictly functional purpose, my work is also narrative. Currently I am exploring three directions: My palette series utilizes the format of the historical American tobacco basket, a large square shallow hardwood basket which was used to display tobacco leaves to prospective customers. Using this format, I illustrate the forces of nature, personal narratives, and the dilemmas of humankind. Having a formal background in painting, I like to think of these works as ‘painting with reed’—translating the colors and design of painting into the basketry format. I use the random weave technique, sometimes to create movement and texture and other times to illustrate chaos. My three-dimensional fish trap series is based upon indigenous fish, crab, eel, and lobster traps which were traditionally made of bamboo and rope. I incorporate the concepts of trapping, captivity, isolation, censorship and imprisonment to illustrate current human conditions and events. My newest series explores the more traditional basket shape as a container in which an explosion of events has occurred. The incorporation of recycled objects and materials illustrates the extent of waste produced by humankind but also and more importantly, how recyclables may be used to create works that are playful and have personal meaning.