Every 1 2024

NBO Members Exhibition


Barbara Osborne

Generation

Georgia Long Leaf pine needles treated with glycerin, dye and beeswax coiled into two nested trefoil knot shapes attached to a slice of Noreena jasper, all using waxed linen. Techniques include cutting and shaping the rock base, figuring out how to turn a geometry puzzle into basketry form, preparation of pine needles, and attaching a harness to the rock.

exhibition award
“Labyrinthian” – most complex
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H: 7" | W: 13" | D: 13"
Photo by Paul deRoos
Barbara Osborne
Seattle, WA
My work is founded on a deep respect for the natural materials I use. A pine tree can be more than a hundred feet tall; stones and fossils are millions of years old. I work to discover their stories, then combine those stories with the shapes and colors I see around me: skylines, tree shapes, bark patterns. I find inspiration in all kinds of containers and structures: kaleidoscopes, bridges, cooking pots, buildings. What currently interests me most is finding ways to construct whatever shapes I have imagined. How can I balance a vertical piece when the top is heavier than the bottom? How can I allow negative space so the piece can breathe? How can I enclose one shape inside another and still see them both? What if I turned a corner? What if I used a Mobius twist? What if I turned a geometry puzzle into a basketry form? Then I stitch, stitch, stitch until I can answer the question.
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