Profiles of Featured Members.
My art comes from questioning what is ‘natural’ and what is ‘made’. Made would reference any object that has a bit of human intervention. How can humans and our products be anything but a natural when we can only create with the elements our world provides? So, hand-made blatantly tells the story of human involvement. […]
Elizabeth made her first woven pine needle basket in December of 2021. The first time the YouTube video popped up on her Facebook feed, she was enchanted with the idea of making something out of nothing. She works a full-time job but uses every spare moment in the collection of materials, research and design ideas,
My home and studio are full of baskets: the collecting started when I was a child; the weaving, in the early 1990s when I found a book and begged a lesson. I’m still obsessed with baskets and find great satisfaction working with my hands, merging an age-old art form with the contemporary world. Baskets, their
Geraldine Zelinsky is the founder of the Northwest Louisiana Basket Makers and holds regular workshops to introduce the history and art of pine needle basketry. She also is a regular participant in basketry demonstrations at the Louisiana State Exhibit Museum’s Archaeology Day, Louisiana State University at Shreveport’s Pioneer Heritage Day, Walter B. Jacobs Nature Park’s
Christine’s explorations began in traditional fiber processes: crochet, sewing, knitting and embroidery. She began weaving at age 19 and this process has been central to her artistic creations. When she was introduced to weaving with wire, she has been exploring the relationship between hard and soft materials for decades. The interlacement of wire with fiber
Kate Anderson references art history, popular culture, and dialogue with her knotted non-functional teapots, cups and saucers. Their subjects have ranged from Marilyn Monroe and Humphrey Bogart to works by American artists Georgia O’Keeffe, Roy Lichtenstein, and Andy Warhol. Anderson encourages a reconsideration of historic images by placing them in a new context. She has
Clay Burnette is a self-taught pine needle basketmaker who has has been coiling longleaf pine needles with waxed linen thread for over 45 years . He has exhibited his work in over 250 venues throughout the US and abroad. In 2017, his work was included in Rooted, Revived, Reinvented: Basketry in America, which traveled for
As a textile artist, I draw inspiration from the study of historic and indigenous textiles. In an age where craftsmanship is often replaced by wit and whimsy, I am a staunch advocate of looking deeper into the traditions in order to create contemporary work with a lasting and universal appeal. As a teacher, I stand
I grew up on the coast in the province of Zeeland [Sea-land], and discovering The Blue Hill Peninsula of Maine felt in many ways like coming home. Even though the landscape is different, the smells, sounds, and wildlife are familiar. As I started spending large parts of the year in this incredible area, my work
As a child, I dreamed of being an astronaut; as an adult, scuba diving the coral reefs of the Pacific has fulfilled that other-worldly vision. It was these treasured times with individuals from these island nations that led me to search for symbols of world unity in this time of global crises. I was drawn
