Above: Clasped Hands, 8″h x 13″w x 8″d
NBO member Jackie Abrams collaborates with Deidre Scherer on an exhibition titled, “Human Textures”.
This body of work expands my reflections on the opposites of tearing apart and piecing together, dividing and uniting, knowing and unknowing, and ultimately, changing self-perception. The visual shifts made by the interlocking surfaces embody a life force and movement throughout the woven image. The fragmentation and fusion of weaving reveals the human being in increments, which is how we get to know each other and ourselves.
My collaborations with Jackie Abrams were instigated by one of my woven works, Connecting To. Abrams responded with her exquisite eye, skillful techniques, and creative spirit. Together we envisioned how to meld our two art forms. Each three-dimensional vessel mirrors our working conversations and holds our attention. – Deidre Scherer
Information at Mitchell • Giddings Fine Arts
Danielle Bodine’s piece, Moonlight Flight category winner for “Installation Works” and Jan Hopkin’s piece, Sturgeon Moon category winner for “Vessel Forms/Basketry” in the Fiber Art Now magazine’s Excellence in Fibers will be on exhibit at the San Jose Museum of Quilts and Textiles.
Fiber Art Now magazine highlighted innovative, contemporary textile art in their Excellence in Fibers issue (Vol 7, issue 2, Winter 2017). In an exhibition of the same name, the San Jose Museum of Quilts and Textiles will exhibit current trends in the categories of vessel forms/ basketry, installation, wall/ floor works, sculptural works, and wearables.
The exhibit runs from October 9, 2018- January 13, 2019, the opening reception Sunday, October 21, 3:00-5:00pm.
More information at San Jose Museum of Quilts and Textiles
Danielle Bodine, “Moonlight Flight”
Mulberry and recycled papers cast on basket, removed, reformed, painted, collaged, embellished and coiled objects.
Photo credit: Michael Stadler
Weaving Wellness: Art, Community, and Mental Health Resilience is an exhibit guest curated by NBO member Martha Bird. The exhibit started as a project when two baskets of Martha’s were acquired earlier this year by the Minnesota Historical Society who then invited her to engage in curating a show that paired and explored objects from the museum’s collection with her baskets. The exhibition runs through December 15, 2018.
During the recent Handweavers Guild of America conference in Reno, Nevada, NBO member Nancy Loorem Adams was awarded two significant prizes in the Great Basin Basketry Exhibit. Congratulations, Nancy!
Book review by Lise Bech
In 2007 Peter Juriga, a Slovak graphic designer and basketmaker published the book ‘Kosikarstvo’,- the culmination of many years of learning, practicing and writing about basketry. The book was of such a high standard that the Slovak Ministry of Education made it recommended reading.
Many of us would have rejoiced in this level of achievement and left it at that, – but not Peter. He wanted it translated into English. He happened to meet NBO member Katherine Lewis at the World Festival of Wicker and Basketry in Poland, enrolled her assistance and allied himself with an international group of English speaking makers who were willing to help (and a professional translator). I agreed to edit the two pages of basket anatomy and terminology – which was more challenging than I had anticipated – and had virtually forgotten all about it when a weighty A4 hardback tome arrived at my door.
“Basketry, the Art of Willow Craft” is instantly impressive with over 1100 illustrations on its 250 pages. The first chapter covers the history of traditional basketry in Slovakia with many most interesting illustrations showing both forms unique to this country, including some agricultural screens and walls, as well as techniques generally seen all over Europe eg Madeira and Frame baskets. The final chapters bring us up to date with what is happening in basketry today showing examples professional makers and attempts to keep the craft up to date.
Chapters on sourcing willow from the wild, cultivation, harvesting and willow preparation follow. I am particularly grateful for the attention given to how-to-test-unknown-willow’s-suitability-for-basketry, which happens to rhyme with my own procedure (!!) but I am not aware of seeing it in print before and so well illustrated.
Now at page 60 we are raring to get started. And the reader gets a lot of help! This book is characterized by its copious step-by-step illustrations throughout. As a teacher you are sometimes stuck for explanatory words and ” Watch my hands” – to quote Colin Manthorpe – becomes the shorthand for a lot of words. Peter has taken the trouble and hundreds of photographs to describe each stage, step by step, both in words and illustrations – all clearly labeled in the text with numbered weavers, red arrows and the occasional line drawing, making this a book to have in the workshop (and it stays open on the page you want). In addition many pages have a sections highlighted in green with extra tips/information, often quoting professional makers.
As a way of illustrating this, the willow weaver will appreciate that after 30+ images have been used to get the base as far as having opened up the slath sticks (2 sets of pairing/twining), Peter proceeds with another 30 photos to take us through completing the base in French randing…. starting with butts! This appears to be the traditional way and whilst I am glad not to have to teach it, I was particularly interested to see this as it explained why Peter needed an English term for the slath with just 2 sets of pairers/twiners having been woven. What would I call it? I called it ‘the spider’ or ‘the sun’ but these seem very 21stC terms and not at all traditional let alone correct!
Peter perseveres in this detailed fashion through oval and square work to lids, handles, bottle covering to the more exotic but traditional mid European whips. Having covered the various techniques, a recipe section sets the reader up well to succeed with precise numbers/sizes of rods needed for a range of baskets. Another section covers how to mend accidents and repair baskets.
I did not in all fairness try any of the instructions out myself but when I get a chance I look forward to trying out the mid European upset using the stakes and /or inserting a waler in each space not to mention ‘speed randing’. I lent the book to a keen beginner who upon returning it commented: “It explains and shows clearly and in the best way the magic of basketmaking.”
From a north European point of view it is interesting to note that English randing is not used at all while many versions of French randing are described. The prevalence of using green willow is a bit confusing and I had to chuckle when my favourite shopper handle herringbone finish was described as ‘showy’.
This book is a stunning achievement bearing witness to the author’s love and knowledge of basketry, his graphic design skills and sense of dedication to record and promote his craft. To the English speaking audience it is in addition a tour (de force) of the craft in another country – not that far away but enough for it to be different and one might feel that the title should have included ‘…. in Slovakia’.
With this proviso I can highly recommend the book to makers of all levels.
The book is available from The Basket Maker’s Catalog
Contact the book’s author at Peter Juriga
NBO member Danielle Bodine is exhibiting her sculptures along with other artists in the show “Terrain: Exploring a Common Ground” at MUSEO Gallery for the month of October.
Please join the artists for the opening reception Saturday, October 6, 5-7pm.
The show runs through October 29, 2018, at the Museo Gallery in Langley, Washington.
Above: Floating Islands, 11”Hx26”Wx8”D , Mulberry papers cast on basket, removed and reformed, then painted, collaged, Embellished with coiled wax linen sculptures. Plastic top, wires. 2018. Photo credit: Michael Stadler
Kristin Schwain, co-curator of “Rooted, Revived, Reinvented: Basketry in America” presents a lecture and slideshow, “Canastromania: Or How Basket Fever Transformed American Basketry from 1890 to 1940.” The event took place at the Whatcomb Museum in Bellingham, Washington, during the still-touring “RRR” exhibition. For dates and locations of this exhibit, visit Rooted, Revived, Reinvented: Basketry in America
Shown above: “Akin”, (detail), Pat Hickman and David Soo. Photo by George Potanovic, Jr.
Pat Hickman gives the closing lecture for All Things Considered IX: Basketry in the 21st Century, presented by the National Basketry Organization at the Society of Arts + Crafts in Boston, Massachusetts. Pat recounts the evolution of basketry as an art form through the work of four pioneering basket-weavers, her own cohort of boundary breakers and her life-long friends. She gives a touching tribute to these individuals, emphasizing the critical roles they played in shaping basketry in the 21st century.
NBO member Danielle Bodine will be exhibiting her fiber sculptures at MUSEO Gallery for the month of August.
Please join the artists for the opening reception Saturday, August 4, 5-7pm.
The show runs through August 26, 2018.
Photo Credit: Michael Stadler. The Wild Hares (Grouping 24”Wx25”Hx12”D) Mulberry papers cast on coiled baskets, painted, collaged, and embellished with “tongs” and other objects. 2018
Small Expressions is an annual, international, juried exhibit featuring high quality, contemporary small-scale works. Small Expressions is sponsored by the Handweavers Guild of America, Inc., to showcase small scale works created using fiber techniques in any media, not to exceed 15 inches (38 cm).
NBO exhibiting artists include Nancy Briemle of Pleasanton, California, and Peggy Wiedemann of Huntington Beach, California. The exhibition will take place at the Wilbur May Museum in Reno, Nevada, and run from July 1 to July 15, 2018.
More information at Wilbur May Museum