Members in Print – Summer 2018

Above: Detail from “Asian Tea Service with Wash Bowl” by Kathey Ervin

The National Basketry Organization is introducing the inaugural in-print, biennial exhibition. Works selected will be published in the Summer 2018 edition of the Quarterly Review, NBO’s full color magazine.

This year’s theme is Vessels, loosely defined as a hollow container, with an interior and an exterior, open to a utilitarian or conceptual interpretation.

Juror: Jane Sauer

Jane Sauer, St. Louis, MO: fiber artist for 35 years with work in 24+ museum collections, Artistic Director and gallery owner for 12 years Santa Fe, NM, Curator, Lecturer, Art Consultant, BFA Washington University, Archives of American Art Smithsonian Institute of American Art, Honorary Fellow American Craft Council, American Craft Council Board of Trustees 1992-2000, Chair 1997-2000, Craft Emergency Relief Fund Board of Directors 2008-2010, Advisory Board Santa Fe University of Art & Design 2011-15, National Council School of Art Washington University 1995- present, plus numerous other boards and advisory committees, International Women’s Forum 1995- present.


The exhibit is open to all members of the National Basketry Organization, including International and Introductory members, at the time of the entry due date. (Join NBO or renew your membership here.)

Introductory level members that have a piece selected may purchase a copy of the in-print Summer 2018 Quarterly Review, or upgrade their membership (see above link).


  • Only one piece per artist may be selected.
  • As this is an in-print exhibition, photographs of the selected works must be high resolution, professional quality.
  • The published image size will be at the discretion of the editor.
  • All sales inquiries will be directed to the artist.
  • Printed with each selected image will be the artist’s name, title, media and the artist’s website address.

Entry Procedure

  • Please apply using the CaFE system: NBO MEMBERS IN PRINT
  • Up to two works may be submitted, with two views of each piece for a total of no more than four images.
  • Image sizing: JPG 1200-1900 pixels on the longest side, up to 5 MB.
  • Please check the box indicating if your work is traditional or contemporary.
  • The relative number of works selected for each category will be proportional to the number of works submitted. (For example, if more works are submitted for the traditional category, more works from that category will be juried into the exhibit.)
  • Please submit work made within the past three years, since 2015.
  • An entry fee of $25 is required for submission of either one or two works.


Entry due date: March 10, 2018

Notification: March 28

High resolution images due: April 11

Summer 2018 Quarterly Review: Late June, 2018


Danielle Bodine at the Bellevue Art Museum

“Hybrid Coral Polypus” 23”HX22”WX20”D  Mulberry and recycled papers cast on funnels, removed, reformed, painted, burned. Coiled waxed linen, plastic tubes.   2015

Danielle Bodine is the current featured artist for the Bellevue Art Museum Vitrine in the museum’s lobby. Bodine’s work is inspired by the amazing parade of ships that pass by her studio windows on Puget Sound and the active sea life underneath these waters.

“Hybrid Coral Polypus” is an imaginary coiled and cast paper underwater sea life has learned to adapt to the plastic debris that finds it’s way into its waters by enveloping this waste and morphing into a unique hybrid sea plant species.

-From the Northwest Designer Craftsmen September 2017 Newsletter

Information at Bellevue Art Museum

Photo credit: Michael Stadler

Pamela Becker in Craft Forms 2017


NBO member Pamela Becker has two coiled forms in this exhibit at the Wayne Craft Center. Established in 1995, Craft Forms is dedicated to enhancing the public’s awareness of fine contemporary craft while providing a venue for established and emerging artists to share their creative endeavors.  Craft Forms is internationally recognized as one of the premiere contemporary craft exhibitions.  More information at Craft Forms.

Shown left: “Dusk”. Photo by Pamela Becker.

Ann Coddington Rast Featured by ART/BTS

NBO Artists in “Cut the Edge, Weave the Line”

“Masters in their field and emerging talents were invited to create extraordinary pieces using traditional techniques and materials, which are often combined with contemporary technology. The invited artists continually explore the various perceptions and possibilities of what a textile can be.”

Participating NBO member artists are Lanny Bergner, Carol Eckert, Elizabeth Whyte Schulze, and Polly Sutton.

The exhibit is on view at the Mobilia Gallery in Cambridge, Massachusetts through October 20, 2017.

Information and hours at Mobilia Gallery.

Shown Above: Signs of Protest: Clown, Girl Power, Covfefe, Planet B, Tweet, Toupee, The Wall 
Woven pine needles, Japanese paper, paint, Japanese brushes. 2017

The Box Project: Uncommon Threads

Organized by the Cotsen Foundation for Academic Research (CFAR) with RAM, this traveling exhibition presents works commissioned by Lloyd Cotsen between 2004 and 2013 together with 22 large-scale fiber art pieces on loan. All work fits within a 14 x 14 or 14 x 23 inch box,  offers insight about the artists and their processes.

NBO exhibiting artists include John Garrett, Nancy Koenigsberg, Gyöngy Laky, and Sherri Smith.

Information and hours at the Racine Art Museum.

Shown above: “This Way and That” by Gyöngy Laky.

Interwoven: Art Meets Nature

A broad host of NBO members are exhibiting artwork in this contemporary fiber exhibition curated by Marcia Young, publisher of Fiber Art Now.

The show of virtuoso works by national artists includes nearly every form of fiber art, including weaving, felting, tapestry, needlework, basketry, handmade paper, silk painting, and book arts. Interwoven: Art Meets Nature will connect the natural world with the materials and techniques that are so familiar to all of us, in an engaging, nature-based show of contemporary fiber art and textiles.

For a complete listing of artists, please visit Highfield Hall and Gardens in Falmouth, Massachusetts. The show runs June 25 – September 6, 2017.

Above: “Oh Canada” by Jan Hopkins

UPDATE: Amanda Salm in “Miniartextil”

NBO member Amanda Salm has been notified her piece, “Cruz” (above image) was accepted into a juried show opening in October in Como, Italy, in the former church of San Francesco.  230 artists submitted to Miniartextil with this year’s theme, Borderline. Three jurors selected 54 pieces (only two from the US were selected) among a roster of work from a total of 29 nations.

UPDATE:  Two venues have been added: Le Beffroi in Montrouge from February 7 to 25, 2018,  opening on February 6 in the evening at 7:00 p.m. Le Chateau du Valfleury in Gif sur Yvette from March 8 to April 25, 2018.

More information at Miniartextil. 

PET Lamp: Basket Weaving Culture

Take a break and visit PET Lamps to read a colorful and informative article on the history of basket making. “Basketry is one of the most ancient crafts older than pottery or the carving of stone and probably the origin of all the textile arts of the world. The process of interweaving twigs, seeds, or leaves for baskets and mat making it’s one of the most universal craftworks, ranking among the most ancient industries.”   PET Lamps

NBO Members at MUSEO Gallery

NOW: Beauty and Paradox: 
10 Northwest Artists explore contemporary issues through beautifully crafted paintings, sculpture, mixed media, and ceramic works designed to express deeper paradoxical meaning. Each artist employs her unique artistic expression: ironic, whimsical, even outraged to create interest and engagement.
Collaboration between Museo Gallery and Nancy Loorem Adams
NBO members Nancy Loorem Adams, Dona Anderson, Danielle Bodine, and Jill Nordfors Clark will be exhibiting their artwork along with Maxine Martell, Natalie Olsen. Patricia Resseguie, Jane Richlovsky, Inge Roberts, and Sande Wascher-James.
On view through May 29, 2017. More information visit: MUSEO Gallery


Above, photo credit: Michael Stadler

Nancy Loorem Adams and Danielle Bodine
Random Weave Cane and Mixed Media, 36”x12”x3”