Jill Nordfors Clark traveled to Lodz, Poland in May with Friends of Fiber Art for the opening of the 15th International Triennial of Tapestry exhibition, at the Central Museum of Textiles, May 9 to October 30, 2016.
Jill was invited to exhibit her work as one of five fiber artists representing the USA. The exhibition includes 150 works from 50 different countries.
Jill’s entry, When a Tree Falls in the Forest, was inspired by the words of Anglo-Irish philosopher Bishop George Berkeley, “When a tree falls in the forest, and no one is around to hear, does it make a sound?” The series of stitched lace like columns represents the ghosts of fallen trees, and the resulting scars on the land caused by clear-cut logging in the forests of the western USA and Canada.
More information at International Triennial of Tapestry (Select option to translate from Polish)
Work shown: “When a Tree Falls in the Forrest”, 6’ H X 5’ W X 4′ D, needle lace embroidery, hog casing, reed, acrylic paint, yarn
Karen Gubitz is the solo artist in the exhibition, Beyond Craft, on display now through June 10th at the Birmingham Bloomfield Art Center in Birmingham, Michigan.
Gubitz is a self-taught, award winning fiber and mixed media sculptor. Realizing that her passion lay in creating art, in 2011 at the age of 60, Karen retired from her law career to create art full time. Her work explores the expressive possibilities of combining natural and non-traditional materials with methods and techniques that have a deep and rich history in working with fiber – loom weaving, basketry, knitting, crochet, netting and knotting.
The works created by the twenty-two artists highlighted in the Hunterdon Art Museum’s newest exhibition, Interconnections: The Language of Basketry, include everything from stapled paper to fabricated metal. Some employ found objects, others utilize clay, linen, or wire.
Interconnections opens at the Hunterdon Art Museum in Clifton, New Jersey, on Sunday, May 15 with a reception from 2 to 4 p.m. The event is open to all, and wine and cheese will be served.
“These artists employ basketry processes and concepts in dynamic and imaginative ways, challenging the common view of basketry as a utilitarian folk craft,” said Carol Eckert, NBO member and curator of Interconnections: The Language of Basketry. “Experimenting with techniques and materials — sometimes referencing ancient methods — they create works ranging from large-scale, site-specific works to wall pieces, sculptural constructions and vessel-based forms.” Other artists featured in the show are: Dona Anderson, Jerry Bleem, Charissa Brock, Ann B. Coddington, Emily Dvorin, Lindsay Ketterer Gates, Donna Hapac, Mieko Kawase, Jay Kelly, Heechan Kim, Nancy Koenigsberg, Tracy Krumm, Gyongy Laky, Jo Stealey, Gina Telcocci and Ann Weber.
More information, including exhibit hours, directions, and events can be found at the Hunterdon Art Museum.
Shown above: “Big Fat Hairy Deal” by Emily Dvorin.
April and Jarrod Stone Dahl (Woodspirit) have a rich history of creating beautiful and utilitarian objects for everyday use. Jarrod grew up in Ashland, Wisconsin, a small town on the shores of Lake Superior. He is of Scandinavian decent and much of his woodworking is inspired by those woodworking traditions as well as the indigenous woodworking methods of that area. April is a member of the Bad River Band of Lake Superior Chippewa/Ojibwe. She began weaving black ash baskets in 1999 after observing a basket Jarrod had made and was using daily as a lunch basket on a log building construction site. She was so impressed with how it held up to the daily abuse that the material earned her respect and she began weaving utilitarian baskets.
The couple takes time out to travel and teach, but, as Jarrod states below, have recently taken on an interesting research project:
“Over the years, every once in awhile, April weaves one of these lidded baskets. They have a very interesting history on the East coast of the US. They were made by the Schaghticoke, Mohegan, Pequot, Narragansett, Wampanoag tribes to name a few. For generations there has existed a basket weaving tradition among families within the tribal groups in the East. If you do a quick internet search you will find a few of the main families.”
“The shape and proportions of this basket is pretty true to the older designs and styles from 1900 and early. There doesn’t seem to be much of this style here in the midwest with the Winnebago, Ojibwe, and Odawa. If there was it’s been hard to find. Today most folks are making the fancy lidded baskets that have round bottoms and are made with dyed splints. The older forms April likes have square or rectangle bases and are made from natural or un-dyed splints. Many of the old baskets were stamped with decorations and April intends to try that on a few of these over the next few weeks.”
“April is really inspired by the old lidded boxes. She says they are a challenge to do right. Getting the sweet proportions between the uprights and the weavers is a very subtle thing. When done well the basket really sings, when just a little off the basket kinda just sits there. Weaving a lid that fits just right is not something that can be rushed. The lids take some careful planning, a high level of understanding of the materials and skill to get it right.”
Next month April and Jarod will leave their home in Wisconsin and set out on a 3 week trip to visit museums and collections the Eastern United States. April was recently awarded a fellowship from the Native Arts and Cultures Foundation:
“For her Regional Artist Fellowship, Stone-Dahl will create the pieces as a tribute to the dying Black Ash tree and also plans to research more about Ash basket weaving from other communities, museums and collections outside her region with the hope of gaining more knowledge about the tradition not only for her work but also to teach her students and other eager learners.”
In addition, in June they will both be teaching at Greenwood Fest in Plymouth, Massachusetts.
Photo credit: Jarrod Stone Dahl
The Winter 2015 issue of the Quarterly Review Magazine included a resource guide for willow materials. Visit our online shop to purchase a copy of this special issue!
Download your copy of the resource guide here:
On view through October 15, Hickory, Ash & Reed: Traditional Baskets, Contemporary Makers showcases the work of contemporary basket maker Lois Russell and others, and contrasts them with historic baskets from the Society’s permanent collection. The work of these artists is grounded in the use of natural materials, including brown ash, black ash, hickory, willow and reed. Contemporary Nantucket baskets will be shown as well.
The contemporary basket makers on exhibit recognize the rich history of American basket making in their artistry and innovative designs. Lois Russell twines waxed linen into vessels that are sparingly used but delight with recognizable, sculptural forms.
More information and exhibit hours can be found at the Wilton Historical Society.
NBO member Danielle Bodine is featured in the Spring 2016 issue of Fiber Art Now: “COLOR, TEXTURE, FORM: The Sculptural Basketry of Danielle Bodine,” artist profile by Adrienne Sloane.
“Basket making is one of the oldest crafts of humanity. I like to think I’m part of this long tradition of expression. There is something very elemental and meditative about process of creating a basket.” -Danielle Bodine
Shown here, “Alien Fruit Basket” from her Outer Space Series. More at Danielle Bodine’s website.
When asked to describe his work, Matt responded, “I describe my work as nature inspired sculpture that uses basketry and a variety of unique surface and assemblage techniques as my language of expression. I’m not sure where that puts me within the contemporary art world. Quite honestly, I don’t give that a lot of thought. I try to make things that I love and that resonate with my clients that originate within the simple elegance of the natural world. That process has served me well over the last 23 years as a maker.”
Full article here on Rapid River Magazine
What an exciting year it has been for the National Basketry Organization! Since coming on as President, I have been a part of the continued momentum, started by our past President Lois Russell. It is a true pleasure to see the maturing of our organization and the achievement of ambitious goals, working committees and the continued efforts toward fulfilling our mission of promoting the art, skill, heritage and education of traditional and contemporary basketry.
With your help, big things were accomplished this year: We
- planned and held a conference
- executed three major exhibits
- produced an instructional DVD
- established and worked with a Guild Advisory Committee
- hired a new part-time Executive Director
Pam Morton, our new Executive Director, is excited to usher us into the new year. Our Board is strong and already planning for our 2017 conference. We have many new projects in the making to serve, connect, support and showcase our diverse culture of basket makers. Planned for this coming year are: increased scholarship monies, increased information about regional and national workshops, online access to images, Guild connections, more instruction and more resources.
And it is YOU, our members, that make this all possible – Thank You!
As an organization we are in an incredible period of growth. It is a new and exciting era. But it all takes money and support from our members to sustain our forward momentum. From your own experience you know that NBO can change an artists work whether through attending our biennial conference, as you have, learning a new technique in our Quartery Review magazine, or making new connections through our website. Whatever your experience, I hope you will want to extend it to others.
We need your continued support. Please donate to help us continue this critical work.
With your help, we can continue to grow, be a national presence and be a viable, active force in the basketry community. THANK YOU for anything you can give. Your support is vital!
Emily Dvorin, President
To donate online click here and visit our Online Shop
If you prefer, make your check payable to NBO and mail to: PO Box 1524 Gloucester MA 01931-1524